he products of the VIENNA INSTRUMENTS SERIES were recorded in the relatively dry environment of our Silent Stage and are available individually or in specially priced bundles in the categories of STRINGS, WINDS, PERCUSSION, KEYBOARDS, VOICES and PLUCKED. The VI SUPER PACKAGE includes all products of these categories combined. With its unsurpassed number of over 2.8 million pristine sound recordings, this tour de force is by far the largest compilation of orchestral samples on the planet.
Appassionata Strings I offers various facets of sustains and Legato Performances with different intensities of vibrato as their main focus, but also include articulations such as sul-G-Performances, accented interval notes, spiccatos, staccatos, various Repetition Performances, trills, runs, and much more.
Appassionata Strings I offers various facets of sustains and Legato Performances with different intensities of vibrato as their main focus, but also include articulations such as sul-G-Performances, accented interval notes, spiccatos, staccatos, various Repetition Performances, trills, runs, and much more.
The Appassionata Strings II Collection offers various facets of sustains and Legato Performances, but also includes articulations such as accented interval notes, spiccatos, staccatos, various Repetition Performances, trills, and much more. They also include “out-of-tune-samples” where various players of the ensemble carefully correct their intonation as the tone progresses.
The Appassionata Strings II Collection offers various facets of sustains and Legato Performances, but also includes articulations such as accented interval notes, spiccatos, staccatos, various Repetition Performances, trills, and much more. They also include “out-of-tune-samples” where various players of the ensemble carefully correct their intonation as the tone progresses.
Chamber Strings I exude their flair for intimate arrangements in chamber music compositions or in divided string groups. Large string ensembles combined with the Chamber Strings I are enhanced by additional nuances and a wealth of variations.
Chamber Strings I exude their flair for intimate arrangements in chamber music compositions or in divided string groups. Large string ensembles combined with the Chamber Strings I are enhanced by additional nuances and a wealth of variations.
The Chamber Strings II collection offers various facets of short and sustained notes, crescendos and diminuendos, but also includes our unique Interval Performances, including legato, portamento, and trill performances.
The Chamber Strings II collection offers various facets of short and sustained notes, crescendos and diminuendos, but also includes our unique Interval Performances, including legato, portamento, and trill performances.
Vienna Dimension Strings I was recorded in homogeneous groups (8 violins, 6 violas, 6 cellos and 4 double basses), capturing all of the human interactions and slight imperfections of a live performance, but this time we’ve used individual microphones for each player, which allows you to access each voice individually.
Vienna Dimension Strings I was recorded in homogeneous groups (8 violins, 6 violas, 6 cellos and 4 double basses), capturing all of the human interactions and slight imperfections of a live performance, but this time we’ve used individual microphones for each player, which allows you to access each voice individually.
This Collection is the sequel to Vienna Dimension Strings I. It contains nearly the same playing techniques, but these string instruments were exclusively recorded “con sordino” (with mutes), offering all-new sonic subtleties.
Solo Strings I contains articulations such as “zigane”, the leisurely “smeared” portamentos, which are particularly impressive as Interval Performances with the Vienna Instruments player engine’s algorithms. Additional “harsh” articulations are performed with an especially raw, almost brutal attack, and are now available as superbly effective Interval and Repetition Performances. There are also special Performance Trills, repetitions in spiccato and ricochet articulations, sustains with fading vibrato, ponticello, sul tasto, and numerous natural and artificial harmonics.
Solo Strings I contains articulations such as “zigane”, the leisurely “smeared” portamentos, which are particularly impressive as Interval Performances with the Vienna Instruments player engine’s algorithms. Additional “harsh” articulations are performed with an especially raw, almost brutal attack, and are now available as superbly effective Interval and Repetition Performances. There are also special Performance Trills, repetitions in spiccato and ricochet articulations, sustains with fading vibrato, ponticello, sul tasto, and numerous natural and artificial harmonics.
This Vienna Instruments Collection is the sequel to Solo Strings I, offering all-new and sonic subtleties. Solo Strings II contains many of the playing techniques that the first Collection includes, but played “con sordino” (with mutes).
This Vienna Instruments Collection is the sequel to Solo Strings I, offering all-new and sonic subtleties. Solo Strings II contains many of the playing techniques that the first Collection includes, but played “con sordino” (with mutes).
