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RME Fireface UCX

36-Channel, 192 kHz USB & FireWire Audio Interface, 9 1/2", 1RU
Manufacturer: RME Audio
SKU: UCX
GTIN: 874792004436
$1,599.00

The Fireface UCX is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long tradition of designing compact high-end interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.

Connectivity and Features

  • 8 x Analog I/O
  • 2 x Mic/Line Preamp
  • 2 x Line/Instrument Input
  • 1 x Phones Output
  • 1 x SPDIF I/O
  • 1 x ADAT I/O
  • 1 x Word Clock I/O
  • 2 x MIDI I/O
  • FireWire or USB operation
  • Class Compliant Mode
  • TotalMix FX
  • ARC USB
  • RME USB 2.0


High-End Converter with low latency Design
In doing this the Fireface UCX marks a new packing record: 300 electronic components more than inside the already well-stocked Fireface UC! In a tremendous effort RME packed once again all the latest technologies, introduced with the award winning flagship UFX, plus a bunch of newly developed ones, into a half 19 inch housing with full mobile usability.

The result is an awesome combination of RME's most successful products: Fireface UFX, Firefaces UC/400 and Babyface. The Fireface UCX is not just a smaller version of the smash hit UFX, with the HFX-core, the preamps and the complete effects engine. The UCX continues the tradition of RME's tremendously successful compact interfaces, and combines it with the Babyface's usability through the optional RME remotes.

 

SPECS
Fireface UCX
AD, Line In 5-8, rear
  • Signal to Noise ratio (SNR): 111 dB RMS unweighted, 113 dBA
  • Frequency response @ 44.1 kHz, -0.5 dB: 6 Hz - 20.6 kHz
  • Frequency response @ 96 kHz, -0.5 dB: 6 Hz - 45.3 kHz
  • Frequency response @ 192 kHz, -1 dB: -1 dB: 5 Hz - 90 kHz
  • THD: < -105 dB, < 0.0005 %
  • THD+N: < -98 dB, < 0.0012%
  • Maximum input level: +19 dBu
  • Channel separation: > 110 dB
  • Input: 6.3 mm TRS jack, electronically balanced
  • Input sensitivity switchable to Lo Gain, +4 dBu, -10 dBV
  • Input level for 0 dBFS @ Lo Gain: +19 dBu
  • Input level for 0 dBFS @ +4 dBu: +13 dBu
  • Input level for 0 dBFS @ -10 dBV: +2 dBV
DA, Line Out 1-6, rear
  • Dynamic range (DR): 111 dB, 113 dBA @ 44.1 kHz (unmuted)
  • Frequency response @ 44.1 kHz, -0.1 dB: 8 Hz - 20.4 kHz
  • Frequency response @ 96 kHz, -0.5 dB: 6 Hz - 45 kHz
  • Frequency response @ 192 kHz, -1 dB: 6 Hz - 90 kHz
  • THD: -100 dB, < 0.001 %
  • THD+N: -96 dB, < 0.0015 %
  • Channel separation: > 110 dB
  • Maximum output level: +19 dBu
  • Output: 6.3 mm TRS jack, servo-balanced
  • Output impedance: 75 Ohm
  • Output level switchable: Hi Gain, +4 dBu, -10 dBV
  • Output level at 0 dBFS @ Hi Gain: +19 dBu
  • Output level at 0 dBFS @ +4 dBu: +13 dBu
  • Output level at 0 dBFS @ -10 dBV: +2 dBV
Line In 3-4, front
As AD, but:
  • Additional Gain stage: 0 up to +12 dB
  • Maximum input level, Lo Gain, Gain 0 dB:
  • Line +19 dBu, Inst +13 dBu
  • Maximum input level, -10 dBV, Gain 12 dB, Line:
  • -7,5 dBu, Inst: -13,5 dBu
  • Input impedance Inst: 470 kOhm
  • Input Gain Inst: +6 dB
  • Input mode: Line balanced (TRS), Inst unbalanced (TS)
  • CLIP LED: 0 dBFS
  • SIG LED: -60 dBFS
DA - Phones, 7/8, front
As DA, but:
  • Output: 6.3 mm TRS jack, unbalanced
  • Output impedance: 30 Ohm
  • Word Clock
  • BNC, switch for internal termination 75 Ohm
  • Microphone/Line 1-2, front
as AD Line In 5-8, but:
  • Input: Neutrik XLR/TRS Combo jack, electronically balanced
  • Input impedance: XLR 2 kOhm, TRS 8 kOhm balanced
  • Signal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA
  • Low Roll Off -0.5 dB: 18 Hz, -1 dB: 12 Hz
  • Gain range: 0 dB, +10 up to +65 dB
  • Maximum input level XLR, Gain 0 dB: +10 dBu
  • Maximum input level XLR, Gain 65 dB: -55 dBu
  • Maximum input level TRS, Gain +0 dB: +21 dBu
  • Maximum input level TRS, Gain +65 dB: -44 dBu
  • CLIP LED: 0 dBFS
  • SIG LED: -60 dBFS

The Fireface UCX is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long tradition of designing compact high-end interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.

Connectivity and Features

  • 8 x Analog I/O
  • 2 x Mic/Line Preamp
  • 2 x Line/Instrument Input
  • 1 x Phones Output
  • 1 x SPDIF I/O
  • 1 x ADAT I/O
  • 1 x Word Clock I/O
  • 2 x MIDI I/O
  • FireWire or USB operation
  • Class Compliant Mode
  • TotalMix FX
  • ARC USB
  • RME USB 2.0


High-End Converter with low latency Design
In doing this the Fireface UCX marks a new packing record: 300 electronic components more than inside the already well-stocked Fireface UC! In a tremendous effort RME packed once again all the latest technologies, introduced with the award winning flagship UFX, plus a bunch of newly developed ones, into a half 19 inch housing with full mobile usability.

The result is an awesome combination of RME's most successful products: Fireface UFX, Firefaces UC/400 and Babyface. The Fireface UCX is not just a smaller version of the smash hit UFX, with the HFX-core, the preamps and the complete effects engine. The UCX continues the tradition of RME's tremendously successful compact interfaces, and combines it with the Babyface's usability through the optional RME remotes.

 

SPECS
Fireface UCX
AD, Line In 5-8, rear
  • Signal to Noise ratio (SNR): 111 dB RMS unweighted, 113 dBA
  • Frequency response @ 44.1 kHz, -0.5 dB: 6 Hz - 20.6 kHz
  • Frequency response @ 96 kHz, -0.5 dB: 6 Hz - 45.3 kHz
  • Frequency response @ 192 kHz, -1 dB: -1 dB: 5 Hz - 90 kHz
  • THD: < -105 dB, < 0.0005 %
  • THD+N: < -98 dB, < 0.0012%
  • Maximum input level: +19 dBu
  • Channel separation: > 110 dB
  • Input: 6.3 mm TRS jack, electronically balanced
  • Input sensitivity switchable to Lo Gain, +4 dBu, -10 dBV
  • Input level for 0 dBFS @ Lo Gain: +19 dBu
  • Input level for 0 dBFS @ +4 dBu: +13 dBu
  • Input level for 0 dBFS @ -10 dBV: +2 dBV
DA, Line Out 1-6, rear
  • Dynamic range (DR): 111 dB, 113 dBA @ 44.1 kHz (unmuted)
  • Frequency response @ 44.1 kHz, -0.1 dB: 8 Hz - 20.4 kHz
  • Frequency response @ 96 kHz, -0.5 dB: 6 Hz - 45 kHz
  • Frequency response @ 192 kHz, -1 dB: 6 Hz - 90 kHz
  • THD: -100 dB, < 0.001 %
  • THD+N: -96 dB, < 0.0015 %
  • Channel separation: > 110 dB
  • Maximum output level: +19 dBu
  • Output: 6.3 mm TRS jack, servo-balanced
  • Output impedance: 75 Ohm
  • Output level switchable: Hi Gain, +4 dBu, -10 dBV
  • Output level at 0 dBFS @ Hi Gain: +19 dBu
  • Output level at 0 dBFS @ +4 dBu: +13 dBu
  • Output level at 0 dBFS @ -10 dBV: +2 dBV
Line In 3-4, front
As AD, but:
  • Additional Gain stage: 0 up to +12 dB
  • Maximum input level, Lo Gain, Gain 0 dB:
  • Line +19 dBu, Inst +13 dBu
  • Maximum input level, -10 dBV, Gain 12 dB, Line:
  • -7,5 dBu, Inst: -13,5 dBu
  • Input impedance Inst: 470 kOhm
  • Input Gain Inst: +6 dB
  • Input mode: Line balanced (TRS), Inst unbalanced (TS)
  • CLIP LED: 0 dBFS
  • SIG LED: -60 dBFS
DA - Phones, 7/8, front
As DA, but:
  • Output: 6.3 mm TRS jack, unbalanced
  • Output impedance: 30 Ohm
  • Word Clock
  • BNC, switch for internal termination 75 Ohm
  • Microphone/Line 1-2, front
as AD Line In 5-8, but:
  • Input: Neutrik XLR/TRS Combo jack, electronically balanced
  • Input impedance: XLR 2 kOhm, TRS 8 kOhm balanced
  • Signal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA
  • Low Roll Off -0.5 dB: 18 Hz, -1 dB: 12 Hz
  • Gain range: 0 dB, +10 up to +65 dB
  • Maximum input level XLR, Gain 0 dB: +10 dBu
  • Maximum input level XLR, Gain 65 dB: -55 dBu
  • Maximum input level TRS, Gain +0 dB: +21 dBu
  • Maximum input level TRS, Gain +65 dB: -44 dBu
  • CLIP LED: 0 dBFS
  • SIG LED: -60 dBFS