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    RME DIGIFACE USB Ferrofish Pulse 16 Bundle

    Manufacturers: RME Audio , Ferrofish
    Special bundle of the RME Digiface USB 32 In/34 Out USB 2.0 Audio interface and the ferrofish Pulse 16 ADDA to ADAT converter.
    SKU: Digiface-Pulse16 Bundle
    $1,498.00 excl tax
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    Delivery date: 7 to 10 Days

    Special bundle of the RME Digiface USB 32 In/34 Out USB 2.0 Audio interface and the Ferrofish Pulse 16 ADDA to ADAT 32 ch converter.

    Regular Price when purchased separately  $1498.00

    RME Digiface USB

    Ferrofish Pulse 16

    The latest Plug and Play technology guarantee a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB. Its small size, weight, and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as a simple headphone amp for mobile use.

    The PULSE16 is the high-quality solution to connect a wide range of external analog and ADAT studio equipment to a mixer or a computer interface. The high-density converter provides 16 x 16 balanced analoge TRS-I/Os and can handle pro studio levels up to +20dBu – adjustable in 1 dB steps. 2 x 4 ADAT ports provide full 16 x 16 channel operation – even with up to 96 kHz. The optical ADAT ‘Lightpipe’ interface is still the most affordable way to transfer a variety of audio channels. Originally designed for the Alesis Digital Audio Tape machine – hence the name – in 1991 ADAT is reliable, standardized and still everywhere.

    The PULSE series is using the recent high-performance low-latency converter generation from Cirrus Logic. Combined with a temperature-compensated high-precision clock and an active jitter reduction hardware design, the fan-less, 98-channel PULSE16 delivers an exceptional detailed sound.

    Connectivity and Features


    4 x ADAT I/O


    1 x Phones Output


    TotalMix FX


    ARC USB


    RME USB 2.0

    Features

    The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME‘s famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical.

    The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME‘s routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).

    Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.

    Here are some typical applications for TotalMix:

    • Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.
    • Unlimited routing of inputs and outputs (free utilisation, patchbay functionality).
    • Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.
    • Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.
    • Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.
    • Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.


    Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.

    SPECS

    • Inputs:4 x ADAT/SPDIF
    • Outputs:4 x ADAT/SPDIF / 1 x Phones TRS Stereo 6.3 mm
    • Clock modes: Internal, ADAT In, SPDIF In
    • Sample rates: 28 kHz up to 200 kHz
    • Jitter: < 1 ns, internal and all inputs
    • Jitter sensitivity: PLL operates even at 100 ns Jitter
    • TotalMix: 2244 channel mixer with 46-bit internal resolution
    • TotalMix: latency-free submixes and perfect ASIO Direct Monitoring
    • Interface: USB 2.0, bus-powered
    • Comes with DIGICheck, RME's ultimate measurement, analysis and test tool

    Specifications

    MADI I/O (AES10)

    PULSE 16 MX (Multimode included)

    PULSe 16 optional via SFP

    SFP port for MADI optical Multimode or Singlemode SFP module
    • 64 channels @32kHz, 44.1kHz, 48kHz
    • 32 channels @64kHz, 88.2kHz, 96kHz
    • 16 channels @128kHz, 176.4kHz, 192kHz
    Support of MIDI over MADI.
    Latency: 2 samples

    Analog Inputs (AD)

    2 x CS5368 (Cirrus Logic)

    16 x TRS ¼” (6.3mm), female

    • Analog switches: +20dBu, +13dBu, +4dBu
    • Digital gain: +20dBu ... -8dBu, 1dB steps

    Latency

    • @48kHz: 7.8/fs, 0.16ms
    • @96kHz: 5.4/fs, 0.06ms
    • @192kHz: 6.6/fs, 0.03ms

    OpAmps

    RC4580

    Level indicator

    TFT screen, 28 levels

    Analog Outputs (DA)

    2 x CS4365 (Cirrus Logic)

    16 x TRS ¼” (6.3mm), female

    • Digital gain: +20dBu ... -8 dBu, 1dB steps

    Latency

    • @48kHz: 12/fs, 0.25ms
    • @96kHz: 9/fs, 0.09ms
    • @192kHz: 5/fs, 0.03ms

    OpAmps

    RC4580

    Headphones Out

    • 1 x ¼” (6.3mm) TRS jack, stereo.
    • Selectable mono or stereo source.
    • Digitally controlled volume level.

    ADAT I/O

    4+4 optical ports (8 channels each with 48 kHz)

    • 16 channels @32kHz, 44.1kHz, 48kHz
    • 16 channels @64kHz, 88.2kHz, 96kHz
    • 8 channels @128kHz, 176.4kHz, 192kHz (SMUX4 - only with installed MADI MX option)

    Latency: 2 samples

    MIDI I/O

    • 2 x DIN5 connector for remote control of the unit
    • Conversion MIDI <> MIDI over MADI possible (MADI MX option required.)

    Wordclock I/O

    • BNC: 1 x input, 1 x output
    • 75 Ohm Termination switchable for input Power Supply12V, 3A
    • 1 x input jack with screw lock.
    • Power required: 12VA in operation, 0,1VA in standby mode
      (Efficiency Level VI)
    • Internal resettable polyfuse
    • 1 x power supply included