The DigiMax DP88 provides professional sound quality and features previously unavailable in its class:
- Flawless analog signal path with top-quality 118 dB digital conversion
- 8 digitally controlled XMAX mic preamps with individual phantom power
- Controlled from front panel and remotely via MIDI
- Controlled from UC Surface and Studio One® 3 when connected to a PreSonus® Studio 192
- 8 balanced, direct A/D line-level inputs (DB25)
- 8 balanced DAC outputs (DB25) to expand your interface outputs
- 8 balanced, direct outputs (DB25)
- 8 channels of ADAT optical I/O with 24-bit resolution and up to 96 kHz sampling rate
- Input metering
- External clock-source select (ADAT or BNC)
- BNC word clock I/O
- MIDI I/O
Compatibility
Whether you want to expand your analog I/O or add additional high quality remote preamps, the DigiMax DP88 is the ideal companion product for any audio interface with ADAT I/O. Check out the benefits provided by adding the DP88 to these popular interfaces.
Antelope Audio Zen Studio
- DP88 expands the analog I/O to 16x16
- DP88 adds 8 additional high-quality remote preamps
- DP88 provides the same DB25 analog connection type as the interface
Apogee Ensemble
- DP88 expands the analog I/O to 16x16
- DP88 adds 8 additional high-quality remote preamps
- DP88 provides the same DB25 analog output connection type as the interface
Audient iD22
- DP88 expands the analog I/O to 10 x 14
- DP88 adds 8 additional high-quality remote preamps
Focusrite Clarett 8Pre or 8Pre X
- DP88 expands the analog I/O to 16x16
- DP88 adds remote preamps to an interface that doesn’t provide recall
Focusrite Saffire Pro 40
- DP88 expands the analog I/O to 16x16
- DP88 adds remote preamps to an interface that doesn’t provide recall
- DP88 provides improved analog-to-digital conversion
MOTU 828x
- DP88 expands the analog I/O to 16x16
- DP88 adds 8 more high-quality remote preamps
MOTU 1248
- DP88 expands the analog I/O to 16x16
- DP88 adds 8 more high-quality remote preamps
- DP88 direct outputs can also be used to connect to line inputs
PreSonus AudioBox 1818VSL
- DP88 expands the analog I/O to 16x16
- DP88 adds remote preamps to an interface that doesn’t provide recall
- DP88 offers improved analog-to-digital conversion
PreSonus Studio 192
- DP88 expands the analog I/O to 16x16
- DP88 adds 8 additional high-quality remote preamps
- DP88 preamp controls are completely integrated into Studio One and UC Surface
RME Fireface UC
- DP88 expands the analog I/O to 16x16
- DP88 adds 8 more high-quality remote preamps
RME Fireface UFX
- DP88 expands the analog I/O to 16x16
- DP88 adds additional analog outputs (only 6 + mains onboard)
Universal Audio Apollo
- DP88 expands the analog I/O to 16x16
- DP88 adds 8 high-quality remote preamps
Technical Specifications
Microphone Preamp (XLR Balanced) | |
|---|
| Type | XLR Female & DB25 Female, Balanced Remote |
| Maximum Input level (min gain, 1 kHz @ 0.5% THD+N) | +12 dBu, ±0.5 dB |
| Gain Control Range | 60 dB, ±1 dB |
| Frequency Response (A-D) | 10 Hz to 40 kHz, ±0.2 dB |
| Dynamic Range (min. gain, A-weighted) | > 110 dB |
| Dynamic Range (mid. Gain, unwtd) | > 105 dB |
| THD+N (min. gain, a-wtd) | < 0.005% |
| Input Impedance | 1600 Ω |
| EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-weighted) | < -128 dBu |
| Common Mode Rejection Ratio (1 kHz, +55 dB gain) | > 55 dB |
| Phantom Power | +48V, ±3V, > 8 mA per channel |
Line Inputs | |
|---|
| Type | DB25 Female, Balanced |
| Maximum Input Level (min. gain, 1 kHz @ 0.5% THD+N) | +22 dBu, ±0.5 dB |
| Frequency Response (A-D) | 20 Hz to 20 kHz, ±0.2 dB |
| Dynamic Range (min. gain, A-weighted) | > 114 dB |
| Dynamic Range (mid. gain, unweighted) | > 105 dB |
| THD+N (1 kHz, -1 dBFS, A-weighted) | < 0.005% |
| Input Impedance | 10 kΩ |
| Crosstalk (1 kHz, channel-to-channel) | < -80 dB |
ADC Direct Line Inputs | |
|---|
| Type | DB25 Female, Balanced |
| Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) | +22 dBu, ±0.5 dB |
| Frequency Response (A-D) | 20 Hz to 20 kHz, ±0.2 dB |
| Dynamic Range (min. gain, A-weighted) | > 118 dB |
| Dynamic Range (mid. gain, unweighted) | > 105 dB |
| THD+N (1 kHz, -1 dBFS, A-weighted) | < 0.005% |
| Input Impedance | 10 kΩ |
| Crosstalk (1 kHz, channel-to-channel) | < -80 dB |
DAC Outputs | |
|---|
| Type | DB25 Female, Balanced |
| Maximum Output Level | +24 dBu, ±0.5 dB |
| Frequency Response | 20 Hz to 20 kHz, ±0.2 dB |
| Dynamic Range (A-weighted) | > 118 dB |
| THD+N (1 kHz, -1 dBFS, un-weighted) | < 0.005% |
| Output Impedance | 51 Ω |
| Crosstalk (1 kHz, channel-to-channel) | < -80 dB |
Digital Audio | |
|---|
| Connection Type | ADAT / Dual SMUX |
| ADC Dynamic Range (A-wtd, 48 kHz) | 118 dB |
| DAC Dynamic Range (A-wtd, 48 kHz) | 118 dB |
| Bit Depth | 24 bits |
| Internally Supported Sample Rates | 44.1, 48, 88.2, 96 kHz |
Clock | |
|---|
| Jitter | <50 ps RMS (20 Hz – 20 kHz) |
| Jitter Attenuation | >60 dB (1 ns in => 1 ps out) |
Signal Level LEDs | |
|---|
| Signal 1 | -50 dBFS |
| Signal 2 | -30 dBFS |
| Signal 3 | -20 dBFS |
| Signal 4 | -10 dBFS |
| Signal 5 | -6 dBFS |
| Signal 6 | -4 dBFS |
| Signal 7 | -2 dBFS |
| Clip | -0.5 dBFS |
As a commitment to constant improvement, PreSonus® Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.
